视频简介
间宫兄弟年过三十依然独身，共同居住在一间不大不小的公寓里平凡度日。哥哥明信在酒厂上班，弟弟彻信在学校当教员。虽说是兄弟，但两人的性格迥然不同：明信深沉内向，彻信热情豪放。然而两人有一个最大的共同之处——迄今为止恋爱道路上饱经坎坷。正当兄弟俩痛下决心，从此不再和女人有任何纠缠，相依为命直到生命终结时，飞来的恋情却逼迫两人不得不再一次违背各自的誓言。弟弟想介绍女老师给在酒厂任职的哥哥，哥哥却爱上录影带出租店员。两兄弟经历爱情的挫折，体会有爱情、婚姻的人不一定快乐，而他们兄弟相依为命，偶尔和妈妈团聚其实是另一种幸福。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。
